Wednesday, August 3, 2011

8_3. CRYSTAL CASTLES @ NEWPORT MUSIC HALL, COLUMBUS


So for this sold-out, Crystal Castles show at Newport, I decided that for the first time, I wanted to watch the show from the balcony. One, because I learned my lesson about the misery of trying to dance in a tin-of-sardines-kind of a crowd when I saw M.I.A. at NYC's Hard Fest last year (and had a heavy storm come through and made it more miserable... go find the videos); and two, because I busted out the Rick Owens racer tank dress I gifted myself for my birthday and, although flexible and comfortable for a night of dancing, I don't think I trust its integrity rubbed against some sweating bodies. But cool story, let's move on with the actual show.

My two male buds and I arrived around 7:40 p.m. to 3/4 of the venue already crammed - the opening act didn't take the stage until 8:30! During that idleness, I pointed out to my friends a particular person in the crowd who may have, in the words of my friend Kent, "reached his peak a little too early." His enthusiastic jazz hands, hair whips, and air thrusts had us in hysteric. There was a good 30 minutes ahead of him before the show finally started. Poor dude couldn't hold it in any longer. The Columbus-based opener was not my cup of tea, but everyone else seemed to be gulping them up. To put it succinctly, whoever manned their lights should be paid generously, there was some rock 'n' roll (which I had little appetite for that night), and the keyboardist/vocalist would definitely do well in a mid-'00 Blood Brothers sounding band (which is not bad, really).


Crystal Castles finally went on around 10 p.m., though prior, members of the crowd and I speculated a possible second opener due to the presence of a drum set. (Did they always have a touring drummer?) Nope, that was for them, and of course the fogged up theater should have made it all more obvious. Amidst the flashing strobes in their hell of an impressive lights arrangement, they opened up with "Fainting Spells" and bulldozed through the first half of their set with all the hits. You couldn't see Ethan and Alice until "Baptism" kicked in, which is when their hunchback silhouettes had everyone go bananas and I'm practically losing my shit over the song's hypnotic trail. I've somehow managed to record the next song, "Courtship Dating," in its entirety (video below). If there was any problem I had about this show, it's that there were minor occasions, like the "Courtship Dating" performance, in which the vocals were hard to discern.

Sorry for the shaking camera. Can you blame a lady for dancing?

Alice will hand over anyone's ass in being the most energetic frontwoman for a live performance. Almost every time I come back from the dark, there goes Alice's feather-like body walking, sprawling, and fucking crawling through the sea of heads and hands gravitating to her beckoning like magnets. Those were the only instances of contact with the crowd, because otherwise they were completely removed. They did not check in on how the crowd was doing, verbally making it known that it's Crystal Castles on stage, or even said thanks. But really, is there any need or demand to break the mood with some small chat? Hell no. As the lights erupted and escalated like a fireworks show and hits like "Empathy," Celestica," and "Crimewave" (fuck yeah) had everyone feeling themselves up, and "Not in Love" had everyone nearly toppling over the balcony rail just to sing along, the group made sure that everyone was there to dance in their own ecstasy. If you didn't and you just stood there to "watch" them, then you're probably went bat blind staring at the violently pulsating strobe lights.


They came back onstage for the encore with not a word out of their mouth (no surprise there), and Alice comes out smoking a cigarette like a boss and swaying her shoulders and hips as "Intimate" slowly leaked out of the speakers. Two more songs came after that before they called it a night, but at that time my friends and I dashed to the door to avoid the crowd rush. And failed. It was in the rush that I noticed that the Crystal Castle male fanbase was total babe-topia, and it certainly wasn't saving me that these Josh Hartnetts and Simon Nessmans came through with shirts unbuttoned and hair side-swept behind their ears. (In Ohio?! How come I rarely see these men around?!) I met up with a friend who told me that being in the pit was, given the circumstances, surprisingly bearable. Now combining these two instances, I'm starting to wonder whether having all the free reign to dance on the balcony with this great view really was the better alternative.

Night accompanied by these lovely shits. I swear they were thrilled the entire night.

Monday, August 1, 2011

7_30. KVLT V: TEENGIRL FANTASY/PICTUREPLANE/GATEKEEPER/I†† @ DOUBLE HAPPINESS

This is my first time at Double Happiness, a bar-slash-venue located in downtown Columbus on Front and Fulton. It's actually rather swanky, and the theme of the decor and general vibe is Orient - hell, not only were there paper lamps, reed plants and amber tinted dome lamps, fucking House of Flying Daggers was playing on the big screens at the bar area. (Should have taken a photo of that, the dimly lit bar area is gorgeous.) Originally, the set up of KVLT V was going to have two different acts play either on the patio or the indoor stage throughout the first half of the fest - but as I arrived to get my wristband, Scott told me that residents were complaining that the sound was too loud. Whoever was complaining should have thought twice before signing a lease next to a bar/venue.

As a result, the time slots got pushed back by an hour and the headlining trio took the night around 10 p.m. Three of my lads and I didn't feel as terrible about the Dirty Franks hot dog rush hour that held us back (though it was tasty), but unfortunately we still arrived late and caught the last ten minutes of Columbus's Dirty Current's set: a a great mix of dark, crunchy bass bumpers that I feel in love with back when I saw them open for Deathface at Skully's. Despite the night being rather young for the dancefloor crawlers, the venue was half filled up - a positive sign for the fest as it's a crowd that makes the night.



I†† performed under minimal glowing light made convenient by the pre-placed lamps. This was my first time seeing the married duo live - let alone hearing the material. It was a drastic step from the brazening DJs before them, and it took that crowd a while to adjust from the environment change. This was the first time that I've witnessed the theremin being put to use for a live performance. It was both entrancing and fascinating to see the oscillating eerie hums added to washing sounds of minimal noise best described as the tortured, self-flagellating voices in your head.




It's no secret that the main anticipation of my night was seeing Chicago-to-Brooklyn transplant Gatekeeper play in my home state. I saw them headline Pendu night back in spring break with Streetwalker (1/2 of White Car) and Innergaze, so I was curious to see what their set would be like under the variables of touring and a crowd that blends a lot of the regulars of the Columbus eletronic dance music scene - a little more bright colors in the crowd of transparent black and denim. Albeit these circumstances, out came the rapidly pulsating strobe lights, abusing fog machine, and headlights well needed - perplexing otherwise - for this dark duo. Somewhere within the first half, their set got cut off during what I think was "Storm Column" for reasons I was unable to discern after investigating within the crowds. When everything went back into gear, the crowd erupted back to its raving state and I was in my self-sexual trance until blue tanktop guy plowed to the front to hard grind against this girl with so much force, he grinded against me and my goat-masked friend - up to a point to which I was not having it. Gatekeeper played a lot of what I assume was new material for upcoming releases and ended their set with "Chains" (yess) and "Giza" (yessx2).



I was with two friends who saw this tour in their current residence of Louisville, Kentucky. One of them told me about his funny predicament with Travis Egedy (stage alias, Pictureplane) and how he was mean mugging him due to the two showing up at the venue wearing the same parental advisory hat. This is why you Google search these performances prior to attending a show, preventing wearing what may be the stage/tour costume of a performer, and preventing being on the shit list for the night haha. But I digress. Real was indeed the feeling of the night, and Travis did a great job balancing his engagement (though from a distance - if that makes any sense) with the audience and even submerging himself into a moping euphoria through his own music. The glitch-hopping synths and drones are accompanied by Egedy's serenading breaths of soulful melodies that makes Pictureplane, and this entire set so dreamy. I wasn't too familiar with him prior to this night except for "Body Mod" and the "Real is the Feeling" music video, as well as an explosive amount of coverage he seems to be getting from music and art culture publications. That night I feel in love with the soundtrack to my future dreams. Get the "Thee Physical" full-length when you have a chance, I purchased this at the show on a cassette. Oh yeah, there were gimp dancers who, aside from the death glares they casted at the crowd, were completely removed and unresponsive to their environment except within the confinements of their duty to dance. I don't know why I thought this was slightly terrifying. I stuck around for 3/4 of the set because it got to the point where the poorly vented venue resulted in waterfalls of sweat, and I had to get out to regain sanity.

I unfortunately had to miss Teengirl Fantasy because it was hitting 2 a.m. and we had not only a long drive home ahead of us, but a mad craving for Taco Bell. (A very rare food mood for this health freak.) The Gatekeeper boys were doing lighting for this group, so I'd like to get the 411 on how all this went down. The drive home almost became a drive to our grave beds because when we got close to Nelsonville on 32, there was fog as thick as milk for miles.

Friday, July 22, 2011

Wanderlust.



Athens, Ohio's "Boogie on the Bricks." View from the south side of the street. Basically like a college street party except the general 21+ crowd gets beyond buzzed on craft beer and jives to daddy rock.


Achtung, I am one step away from finally getting my college degree. I turned in my final paper for my writing and rhetoric class around 7 a.m. today, then blacked out from my iced-coffee fueled all nighter. On the bright side of things my online Shakespeare class will be done in 5 weeks, I somehow found a way to squeeze a little money out of this small town by babysitting two kids, the Etsy store is finally open, and I have all the time in the world to prepare for my move, discover new music, and do a little bit of traveling (on a budget).

Speaking of traveling and music, feels like it's been over a month since I last been to a show (and therefore suffering a dry spell). Being chained to schoolwork was a great way to save money - enough to make it out to these following shows. (Still pretty bummed to have missed Wiccans, Milk Music, and [just now] the Backslider/Disciple of Christ duo these past few weeks.) Hope to see some of you guys out there. I'm looking forward to doing some reviews + photo recaps of these shows (linked for info/ticket vendor):

7.26 to 7.29_ Chicago birthday
7.30_ KVLT V: INTO THE DARK. DAYLONG FESTIVAL feat. Teengirl Fantasy, Pictureplane (!), Gatekeeper (!), Todd Pendu (of Pendu NYC), Textbeak, Funerals, I†† & more @ Double Happiness, Columbus, OH. adv. $10 tickets here.
8.2_ Cold Cave, Austra @ The Grog Shop, Cleveland. $12adv/$14door. Tickets here.
8.3_ Crystal Castles @ Newport Music Hall, Columbus, OH.
8.9_ ICEAGE, The Men, White Walls, Unholy Two, Scavenger @ Carabar, Columbus, OH. FUCKING FREEEEE SO DON'T MISS THIS OHIO (but damn that means I have to miss the soon after Avon Ladies show, blech)
8.13_ MAD DECENT BLOCK PARTY feat. Dillon Francis, Dawn Golden & Rosy Cross, Bosco Delrey, Kito, Reptar, Lunice, Benzi and Curren$y @ Wicker Park area, Chicago. FREEE
8.19_ bye Ohio



Gatekeeper is entrancing live and I feel like I'm in some sci-fi underworld every time I hear their stuff. The video above is from their set at the Secret Project Robot in Brooklyn. I'm not hard to spot in that video: I'm the one getting my dance on. Particularly excited with this dance marathon and my little break with the astounding bill for the Carabar show. That will spark an exciting overview of booze-fueled fun. As far as the Mad Decent Block Party, Chicagoans looking to gyrate against the August heatwave and are down with moombahton should hollar at me, my crop top, and my air horn. That's not completely set in stone, but I certainly don't want to miss this.

Edit: re-opened my Netflix account now that I'm less occupied. Two thumbs down to the extra charge for DVDs (first world problems); thumbs up to my fattened instant queue dashboard. Which reminds me, I need to check out Spotify soon because everyone's raving over how it's the music of Netflix... yes?

Tuesday, July 12, 2011

Modes des hommes_ printemps 2012



ACNE
Highwaters mean that this man's down to dance, and I love that in a man.


ALEXANDER MCQUEEN
Not going to lie, the composition of patterns and textures reminds me of the outfits you can pick and choose for your Sims character. Most of the individual pieces in this collection are great, though I think only someone like Matthew hitt could flaunt a plunging neckline like fresh money.


ANNE DEMEULEMEESTER
Someone took my goth love to the countryside and he got all romantic on me.


BALENCIAGA
Balenciaga's inimitable streamlined cuts = guaranteed sartorial orgasms.


BAND OF OUTSIDERS
The blue steel on this runway was so bright that shades were obligatory.


COSTUME NATIONAL
Before the boys become men. A playful take on menswear staples showing that you can't take the punk out of the boy.


DIOR HOMME
A few words: thank God for Kris Van Assche.


JIL SANDER
Not too sure how user-friendly the body bag would be in frantic times, but from the front slicked hair to the patent leather oxfords?! Sehr wunderbar.


LANVIN


MOSCHINO
CC'ing the Trouble and Bass DJ crew.


RAG AND BONE


RAF SIMONS

You think Simons was looking at Crispin Glover's "Clowny Clown Clown" video on mute and blasted Daft Punk's "Brainwasher" while making this collection? That aside, let's direct our attention to the PRETTY FUCKING AMAZING finale.



Mind-sweeping.(GQ's Tumblr has a better video.)


YOHJI YAMAMOTO
For editorial purposes, this is a pretty cool collection. Let's just say Yamamoto did an immaculate job with casting on this one.


YVES SAINT-LAURENT


My overwhelming affinity for menswear and beautiful men has made wonder why I am not a gay man. This visual recap of what struck my fancy is weeks old, I know. Couture week has passed and now we're sitting pretty at Berlin's week of mode, so I'm going to attempt to catch up then later flair my hands in the air, grab some coffee, and take a long drag of some of that adult candy.


All runway images from GQ style.

Monday, July 11, 2011

Die Mode und Die Sprache.



Tomorrow, I will work on setting up an Etsy store for my pieces. Over the weekend, I have made another version of the denim takeover buttonhole shoulder bag. (Whew.) As if I have not repeated myself over and over again, updates will be posted on Austyana.blogspot.com. Keep it evil.

For some reason I decided to go on Youtube and teach myself German via Speedyconkiwi. Her video tutorials are very easy to follow and she often supplements her lessons with cultural insights and pronunciation suggestions, which I find very helpful.

For some reason, Miss Kiwi apparently gets a lot of flack for her videos and I don't know if it's because of her lessons, her tendency to be a broken record on updates (just press pause or move on to the next video), or the fact that in the first few videos she looks like the ghost of the long lost high school nu metal fan.

That aside, she's amicable and genuinely interested in dishing out the basics in conversation, pronunciation, and articles. In turn, I'm quickly picking up the German language (though its similarities with French and English may have helped greatly), asking myself "wie geht's dir" and counting up to 30 in my sleep. +1 to her.

Wednesday, July 6, 2011

Gimme Gimme Your Hands Gimme Gimme Your Minds.



Currently writing a paper on how I perceive myself as a writer. Easier than it sounds - it's like looking in the mirror naked and telling the world how I perceive the faint stretch marks along my butt crease. (Actually, I'd rather do that.) Two more weeks of this, then I can finally cackle my way out of college with a diploma.

Anyway, here I am in front of the Williamsburg bridge, a couple blocks down from my future residence. In a month, I will not be there via Photobooth.

Been keeping an eye on fashion week for the men and couture collections. Once I find some time, I'll compile a photo collage of what has caught my fancy.

Oh also, made a small shoulder bag during the holiday weekend.